Tucked away on the outskirts of Roswell, far away from the daily bustle of the alien museum, lies the Roswell Artist in Residence Program. The residency hosts six artists a year and each, near the end of their residency, has a solo exhibition. Each exhibition is followed by a dinner, which is prefaced by a handmade invitation from the Anderson Museum of Contemporary Art's Director Nancy Fleming. She has been making these special invitations since 2004, and here is a peek into these small treasures.
I have a copy of a brand new book, Dragon at the Edge of a Flat World, sitting on the edge of my desk. Inside it is inscribed: "Hope we stay in the same reality. Love, Joseph." At the time, I did not fully appreciate the extent to which Joseph Keckler, the author, is a dimension-traveling wizard. But I already had inklings.
Remember, as a kid, when you played with wooden blocks, Erector sets, Lincoln Logs, and Legos? Artists have continued to nurture the impulse of putting parts together to make a more wonderful whole. At Gallery 51's latest show, Babel's Bricks, twenty artists playfully interpret the idea of artwork as building block.
John Stezaker’s surreal, handmade collages—comprised of film stills, publicity portraits, and postcards collected from thrift stores and bookshops—are masterful studies in contradiction. They are familiar and nostalgic, but also unexpected and strange. Like a Coen Brothers film or Flannery O’Connor short story, they walk that compelling line between comedy and tragedy.
"FLITTER / is what she said but what she meant had nothing / to do with the lighting from one bloom to the next / by a monarch or an equally colorful diva at the bar. / What she meant was your privates, your girlie parts, /something you better soap up daily and watch / like a spectacled hawk."
Paul D. Miller (aka DJ Spooky) discussing his latest book The Imaginary App at the inaugural Gwarlingo Salon in Dublin, New Hampshire (Photo by Michelle Aldredge) On August 5, 2008 a new app called I Am Rich appeared in Apple's App Store. The app, [...]
I have breathed into too many balloons / put my fingers in so many cakes / had my body scanned with fingerprints / written out my dreams in lines of the night / traced words into storm clouds / mixed water with mint and bourbon...
Amelia Randall Meath and Nick Sanborn formed Sylvan Esso in 2013 (Photo via sylvanesso.com) Here in Harrisville, New Hampshire, our general store is the center of community life---where locals go for a cup of coffee, to buy eggs, or to learn if the next Nor'easter will leave six or [...]
There isn’t a word for walking out of the grocery store / with a gallon jug of milk in a plastic sack / that should have been bagged in double layers / —so that before you are even out the door / you feel the weight of the jug dragging / the bag down, stretching the thin / plastic handles longer and longer and you know it’s only a matter of time until / bottom suddenly splits.
The 1819 Edition of Grimm's Fairy Tales (Photo: Andreas Berthel © Stadt Kassel / Kulturamt) Murder. Infanticide. Mutilation. Incest. While true love intermittently raises its pretty head, Grimm's fairy tales are far darker than the Disneyfied versions so many of us know. [...]
Sometimes you have to leave home to discover surprises right in your own back yard. Such was the case with artist Angus McCullough, a Vermont-based artist I met this spring at the Virginia Center for the Creative Arts. The town of Bennington, Vermont, may be best known [...]
For Proust," Susan Howe writes in her Preface to The Gorgeous Nothings, "a fragment is a morsel of time in its pure state; it hovers between a present that is immediate and a past that once had been present." The fragments Howe is specifically referring to are the envelopes left [...]
Lauren Camp (Photo by Elena E. Giorgi) The Dailiness by Lauren Camp from Edwin E. Smith, 2013 An Interview with Lauren Camp Michelle Aldredge: I like the close attention you pay to daily encounters in your book. The image of "folding" appears again and again throughout the collection. [...]
Jamaal May was born in 1982 in Detroit where he has taught poetry in public schools and worked as a freelance audio engineer and touring performer. His first book, Hum, received the Beatrice Hawley Award from Alice James Books and an NAACP Image Award nomination. (Photo by Tarfia Faizullah) [...]
Marco Fusinato. Mass Black Implosion (Shaar, Iannis Xenakis). 2012. Ink on archival facsimile of score; framed. Part one of five parts. To make these drawings Fusinato chose a point on the page and then ruled a line from every note in the composition back to that point. This ongoing series, [...]