The Sunday Poem: Anne Valley-Fox

Poet Anne Valley-Fox in Oaxaca

Poet Anne Valley-Fox in Oaxaca, Mexico (Photo courtesy the author)

“A poet makes everything up, including one’s job description,” says Anne Valley-Fox. “My job: to retrieve rejected or edgy bits of inner material and put them together in ways that illuminate and provoke. My poems seek connections, complications, and small astonishments.”

How the Shadows are Bundled-Anne Valley-FoxIn her latest collection, How Shadows Are Bundled (University of New Mexico Press), Anne tackles topics as diverse as sexuality, aging, family, hurricanes, war, asteroids, and cancer. The 70+ poems in this volume also include explorations of the work of other artists, everyone from Charles Mingus, to Joyce Carol Oates, to Jean-Luc Godard.

The book’s title is a reference to Carl Jung’s “shadow”—the unknown ‘‘dark side’’ of our personality. As V.B. Price writes in the introduction, “W. H. Auden, as a poet of conscience aware of the shadow, once said that he reads a poem in two ways, first as a verbal object to be understood, and second as an expression of the kind of person the poet is.” These “poems reveal the person who created them to be someone with a hard eye and a deep kindness, someone who refuses to turn away from trouble and pain, an unflinching witness who sees the truth but never runs from delight when she finds it,” writes Price.

“At times I say to myself that the world has no use for so much contemporary poetry—titles lined up on shelves (and now cyberspace) like so many wallflowers waiting to be plucked,” explains Valley-Fox. “But excess of songbooks and songbirds is hardly our problem.”

I have three poems from How Shadows Are Bundled for today’s Sunday Poem feature, plus one new poem from Valley-Fox called “Losing Ground.”

If you’re in Santa Fe, New Mexico on October 10, 2013, you can hear Anne Valley-Fox read at the “Grateful Deeds” event, which will be held at 6:00 p.m. at the Collected Works Bookstore.

Enjoy your Sunday!

 

 

 

 

Things That Want to Be Counted

 

Someone on earth is counting—

night stars,

rooms in a honeycomb,

snow geese descending, wild

lilies, grain spilled from a bushel basket,

bubbles rising up from a blue hole.

 

Those who are hungry get up in the dark.

Their job is to count

sticks of kindling,

cups of milk, empty beds or racks of shoes,

newspapers in the dwindling stack,

how many fish in the bottom of the boat.

 

 

 

 

 

Esquire Haiku

 

1
Sprawled on piers, sofas,
ice floes, draped & presented
for Gucci, Prada,

Voitton, Versace:
starved bodies advertising
hip designer drugs

2
“Even the windshield
washer fluid is hot”—Cadillac
Escalade

3
Tiki Barber straddles
a bench, palming a football
like a leather breast

4
One naked blonde &
six pretty boys dressed for the
nineteenth century

one lad drapes the floor
in ruffled shirt, bullet hole
plugs his golden chest

5
Pg 50: Contents
(Like driving without a map
clear to Iowa)

6
Pg 52: Letters
to the Editor (All things
desired, despised)

7
Beautiful Woman’s
joke: So many face-lifts her
pubic hair’s a goatee

8
Kid leather luggage
tailored suits, ebony skin—
stuff you can envy

9
Review of Cormac
McCarthy’s The Road: father
son, ash, hunger, death

10
Beautiful girl goes
on the record: “What I like
in a man is BALLS”

11
Christina Ricci
in Black Snake Moan, tight cut-offs
& shit-kicker boots

hot look cast over
her shoulder sauntering down
a lone country road

12
The Style Award
goes to a fortyish man
sexy in Levi’s

13
On eulogies: Don’t
read poetry, don’t refer
to Bartlett’s, don’t sing

14
Naked girl all limbs
shapes an alpine snow angel
(just drink Evian)

15
Ten Things You Don’t Know
About Women: (6) Admire
new bath mat, get laid

16
On men & football:
(10) “Have sex with another dude
once a year instead”

17
A Woman We Love:
Heart-shaped face, black panties, silk
sheets: “Two people need

only three things in
common—sex, food, vacation
destinations”

18
Portrait of Sal &
Mabel Mangano, fiercely
grim, unbeautiful

charged with negligent
homicide for failure
to evacuate

thirty-five seniors
“drowned like rats” by Katrina
at their nursing home

19
Father with woodcut—
son after Afghanistan
blown up in Iraq

20
Speed-turning pages
now—skip September 11
testimonials

& Ground Zero piece—
two hundred pages later
true life dull as dirt

21
Merv Griffin on red
couch beside Charlie Chaplin
his adored shar-pei—

Eva Gabor would
rise early at his ranch and
stroll down to the barn—

when Merv went down
“every horse in the pasture had
red lipstick on it”

 

 

 

 

 

Losing Ground

 

It’s not an option to open your mouth & dump your edgy concerns
on cocktail party acquaintances.

Sensation of trickling down the slats of a turning wheel.

Will paralysis strike, with its stark intent to humiliate,
as the odd crisis occurs?

Your skull’s scraped, toothy look is frightening to others.

Saffron monks in charnel houses
drone the night away.

One can only contain so much, hold on for so long.

The burden, the swelling ache of it, compared to the bright gash
of losing others.

 

 

 

 

 

Traveling Companions

(For Elizabeth and Leo)

 

Not like a centipede straggling along
in one organized body,
angling for food,
a place to lay the legs—
but more like waves
breaking, the one broken
receding into
the one incoming.
Leo and Elizabeth eating breakfast
at a diner in Bullfrog, Utah:
“I wish the sea was not so far away.”
“Yes, too bad.”
Back in the car the one at the wheel
turns due west.

 

 

 

 

About Anne Valley-Fox

Anne Valley-Fox Writing

Born in Paterson, New Jersey, Anne Valley-Fox was raised in Santa Monica, California and schooled at University of California at Berkeley during the Free Speech Movement. There, she began writing poetry in classrooms with Josephine Miles and visiting poet James Tate; in her senior year she was awarded the Eisner Prize in Literature.

In anticipation of the publication of her first book in 1973 (Telling Your Story with Sam Keen, Doubleday), Anne Valley-Fox took her surname from a (dark) horse at Del Mar Race Track. Since moving from San Francisco to northern New Mexico in 1977, she has published four books of poetry: Sending the Body Out (Zephyr Press), Fish Drum 15 (Fish Drum Press), Point of No Return (La Alameda Press) and How Shadows Are Bundled (University of New Mexico). She is the co-editor, with Ann Lacy, of five books of oral histories culled from the archives of the New Mexico Federal Writers’ Project (Sunstone Press).

For more information about Anne Valley-Fox, please visit her website.
 
 

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All poems © Anne Valley Fox. All Rights Reserved. Three of these poems appear in How Shadows Are Bundled (University of New Mexico Press, 2009) and were reprinted with permission from the author.

 

By | 2016-11-11T21:49:39+00:00 10.05.13|The Sunday Poem, Words|Comments Off on The Sunday Poem: Anne Valley-Fox

About the Author:

I’ve spent almost 20 years helping thousands of successful artists of all disciplines and working to make the arts more accessible. (One friend likes to call me “the arts enabler.”) From 1999-2012 I worked at The MacDowell Colony, the nation’s oldest artist colony, but I've also done time at an arts magazine, a library, an art museum, and a raptor rehabilitation center. In May of 2012 I left MacDowell to pursue writing, speaking, curating, and creative projects full-time. In 2015 I was named a “Top 100 Artist, Innovator, Creative” by Origin magazine. I've appeared as an arts and culture commentator on New Hampshire Public Radio, and in 2017 I was the recipient of the Wampler Art Professorship at James Madison University. I am the founder of the Gwarlingo Salon series, which connects artists like DJ Spooky with rural audiences in the Monadnock region. In 2017 my collaborator Corwin Levi and I will publish our first book, Mirror Mirrored, which combines Grimms’ fairy tales with vintage illustration remixes and the work of contemporary artists like Kiki Smith, Carrie Mae Weems, and Amy Cutler. I grew up in Atlanta, Georgia, but have called New Hampshire home since 1999. My studio is located in the historic, mill village of Harrisville. I miss fried okra, the early southern spring, and restaurants that stay open past 9:00 p.m., but rural life agrees with me. In New Hampshire I can see the stars, go kayaking or snowshoeing, watch bald eagles fish in the lake, and focus on my creative work in silence. I no longer have to worry about traffic jams; deer, wild turkeys, and frost heaves are the primary road hazards here. Although I live in the country, I’m fortunate enough to be part of a vibrant arts community that extends beyond this small New England village. The quiet days are punctuated by regular travel and frequent visits to museums, theaters, readings, arts events, lectures, and open studios around the country. (You can read my full CV here.) Thanks for visiting Gwarlingo. I hope you'll be in touch.