If I told you simply that the bed in the Baptist Hospital

Last occupied by Cora Stokes is empty again,

And the patient didn’t go home, you’d be likely

Not to feel much interest.  So I’m adding here

The news that she’s gone missing, that any tip

On her whereabouts will be highly prized.

Cora Stokes, female, African-American,

Forty-seven, five feet, five inches,

Slender, with a mole on her chin

And a small scar over her right eyebrow.

Last seen the day before yesterday

In the cardiac wing by a night nurse

Who didn’t like the looks of her chart.

Till a week ago, a teacher of botany

At Jefferson Junior High in Chesterfield.

On Wednesday nights a player of bridge

With three women she’s known since grade school.

Left-handed.  Slaps her head with her left hand

When she makes a mistake in bidding

Made by beginners. Owner of a bungalow

On Cherry Street, three bedrooms,

One occupied by her mother, Bessie,

Seventy-six, crippled by arthritis,

One by her daughter, Trish, eleven,

A fifth grader at Holy Angels, no Baptist school

Near-by being available.  Single mother

Observed by neighbors on weekends

Working with daughter in vegetable garden

While mother looks on from a canvas chair.

Observed on Sundays driving the pair

To Second Baptist on Randolph Street.

Believes that her god sees everything;

Not sure what he does with the information.

An abstainer from alcohol for eleven years

Except for the break after the operation

When a lump in her right breast was removed.

Movie-goer, with a preference for heavy

Domestic drama, three-handkerchief features

That serve to keep her heart soft and flexible.

Worried she has no room in her heart

For two back-biting colleagues,

Two teachers she’d assign some serious time

In Purgatory if she were Catholic.

Reader of the personal columns in the Star,

Confident she’ll be happier when she swears off men

And doesn’t relent as she did the last time.

Lover of swing-band music.  Owner of a canary

She gives the run of the house an hour at dusk,

The time of day that for her seems least confining,

Most open to possibility, to change.

Whether or not your life will change,

Surely you’ll want to step forward

If you have any information, however slight,

That may lead at last to her being found.




About Carl Dennis

Carl Dennis was born in 1939 in St. Louis, Missouri. He earned a BA from the University of Minnesota and a PhD from the University of California-Berkeley. He has taught at the State University of New York-Buffalo since 1966, where he is both a professor of English and writer in residence.

Dennis has published numerous books of poetry, including House of My Own (1974), The Outskirts of Troy (1988), Meetings with Time (1992), Practical Gods (2001), for which he won the Pulitzer Prize, and Callings (2010). Dennis’s work is known for its quiet intelligence, meditative bent, and honest exploration of the times and trials of a certain segment of the American middle-class. Stephen Burt, reviewing Callings in the New Republic noted, “It is in the minor efforts, the daily or weekly rewards and tasks that make up most of any life, that Dennis finds his métier. He was, and remains at the age of seventy-one, a poet of what we are pleased to call Middle America, of a circumscribed middle class in mid-sized towns, of self-control, long-range planning, and middle age.”

Using a plain spoken, even conversational style, Dennis’s work stands out for its consistent ability to shape everyday speech patterns into a “casually regular” pentameter line, as Burt noted. Or as Martin Pops, a colleague at Buffalo, put it: “Carl speaks the same language as we do. The only difference is, he speaks it better.” But Dennis’s moderate, easy tone—his accessibility—frequently masks a deep sense of nostalgia, loss, grief, and even fear. “His level discursiveness, his ongoing syntax, can become almost scary,” Burt notes. “If you keep talking intelligibly (the style implies), so that other people understand you, you will have some way to know that you are still alive.”



Dennis has also published a book of criticism, Poetry as Persuasion (2001). With its focus on the relationship between reader and writer, the book explores various methods of creating the voice of a poem, including the use of irony, the mock heroic, and myth. Dennis’s argument for poetry as fundamentally a kind of communication dependent upon compelling speakers is augmented by sensitive close readings of a range of poems and poets. Michael Collier noted that the book “brilliantly demonstrates… why poetic voice is essential to the process of lyric articulation. Dennis’s essays are particularly useful to poets learning their craft and to students of poetry, but every reader will find delight in the calm and lucid intelligence each page holds.”

Dennis has received numerous honors and awards for his work, including fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In addition to the Pulitzer Prize, he has received the Ruth Lilly Prize,

Dennis once told Contemporary Authors: “I don’t see myself as belonging to any particular school of poetry.” And to the Poetry Society of America, he elaborated on his belief that poetry should not concern itself with movements or groups: “I would like to believe that at least some American poets manage to maintain the faith they can reach in a single work a diverse audience with a variety of perspectives as opposed to one two specific constituencies. I think that this kind of ambition is more likely to produce work that lasts, that will still be read when specific audiences, and the local conditions that have produced them, have ceased to exist. Writers cannot step back entirely from the presumptions of their specific cultures, but they are more likely to be useful critics of those cultures, not merely mirrors, if they make an effort to hold up all they believe to critical scrutiny. And more likely to make this effort honestly if they can imagine readers free of any particular political agenda. The difference may only be a matter of degree, but in these matters degree is everything.”



Note: “Missing” originally appeared in Plume, an online poetry journal. Edited by Daniel Lawless, Plume is publishing work by some of the finest contemporary poets writing today. You can sign up for the Plume newsletter here or follow Plume on Facebook. Thanks to Carl Dennis and Daniel Lawless for permission to reprint this poem.

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“Missing” copyright © Carl Dennis. Used by permission of the author. All rights reserved. Biography courtesy The Poetry Foundation.