Thank You Gwarlingo Readers

A studio visit with MacArthur recipient Anna Schuleit kicked off Gwarlingo's "Creative Spaces" series in June. A feature on Kim Uchiyama's Tribecca studio is currently in the works. (Photo: "Bloom" by Anna Schuleit)

This Thanksgiving holiday I want to thank all of the friends and readers who have supported me this year during the launch of Gwarlingo. What a year it’s been.

Since the official launch of the site in June, the number of Gwarlingo subscribers and visitors has grown dramatically. I’ve had the excitement of watching a few articles go viral. (The most popular articles so far have been on Japanese manhole cover designs, rare color photographs taken by Farm Security Administration photographers, Slinkachu’s street photographs, the moving letter from Sol LeWitt to artist Eva Hesse, my feature on artist residencies, and Bridget Lowe’s Sunday Poem).

Bridget Lowe's poem "In the Study of My Hysteria" has been one of the most popular Sunday Poems since the series began five months ago. Since July, eighteen Sunday Poets have been featured on Gwarlingo.

Artists and poets who never knew each other have connected for the first time as a result of Gwarlingo, and last week I had the privilege of meeting Jean Marie Casbarian–an artist and Gwarlingo reader who won tickets to see Joseph Keckler’s show at La MaMa in New York. None of this could have happened without the support of readers like yourself.

Because of you, Gwarlingo is gradually turning into the online community I envisioned when I first launched the site six months ago.

I created Gwarlingo because I was fed-up with seeing the same movies, music, shows, and books covered in the mainstream press again and again. (A press release can only endure so many facelifts before it loses its allure). There are a lot of fabulous alternatives out there, but the trouble is knowing where to look.

My idea was to create a place where art lovers and artists of all disciplines could discover compelling work. I wanted to go deeper than the average blog–to have real conversations with real artists about ideas and process. To break down the barriers of genre, geography, and age, but to also have a little fun along the way. In spite of the impression given by many arts and literary publications, you don’t have to be overly earnest or annoyingly hipster to have an impact.

The letters and emails I’ve received from readers lead me to believe that I’m on the right track. Here’s a small sample…

 

“Because of Gwarlingo, I’m continually gifted with these amazing gems from you and other artists–everything big-hearted and highly creative. So thank you for all your work on it–I know it must take a lot of time and energy–and it’s very much appreciated.”

 

“Your subjects are so genuinely interesting, and your approach to them is refreshingly thoughtful and insightful, particularly these days in which mindless chatter abounds. It’s also wonderful to see your photos–they not only illustrate your text but give it further depth. You’ve managed to capture the spirit of creative imagination and provide some smart, much needed nourishment in the notably sere world of blogspheres. Congratulations and thank you!”

 

“Excellent! I keep seeing…

[Slinkachu’s] images pop up places but I didn’t really have an overall view of his work and who he is. Which is exactly the problem with the common way of sharing on the internet, and why I enjoy your blog so much.”

 

In spite of this encouraging feedback, I know Gwarlingo is still in its youth. I have so many new ideas for expanding the site–for increasing coverage of the arts, while also giving artists a much-needed platform for sharing their work with a smart, interested community of peers. There is a lot of work to be done in the days and months ahead–work that requires both time and money.

 

Performer and singer Joseph Keckler and Michelle Aldredge in New York City last week. Gwarlingo reader Jean Marie Casbarian was the lucky winner of two tickets to see Keckler's performance at La MaMa. This was Gwarlingo's first contest and ticket give-away, and hopefully not the last.

When I was in New York last week, a number of people asked me how they could help support Gwarlingo. These conversations made me realize that I haven’t been very explicit about answering this question in the past. So if you would like to support this new venture, here are a few specific ways you can help:

 

1. “Like” Gwarlingo on Facebook. I post arts-related articles and events on the Gwarlingo Facebook page on a regular basis–many are links to topics I haven’t covered on the site. It’s an easy way to stay in the loop.

 

2. Follow Gwarlingo on Twitter. Ditto for Twitter. I share links on Twitter that appear nowhere else.

 

3. Subscribe to Gwarlingo by email. With a free email subscription, each new Gwarlingo article is delivered to your email inbox. This way you don’t have to remember to check the site for new content. I use this option for many of my favorite blogs. My morning is always better when I find Ta-Nehisi Coates waiting in my inbox!

 

4. If you are going to buy from Amazon or iTunes, make your purchases through Gwarlingo. Honestly, I have mixed feelings about this one. I’m a big supporter of local businesses, bookstores in particular, so if you have a great independent bookstore, by all means, support it. But if you don’t, and you plan to buy anything through Amazon or iTunes, you can support Gwarlingo by using this site as your Amazon or iTunes portal. Gwarlingo earns a small percentage of each purchase you make.

I have some of my favorite books, films, and music listed on the site and in the Gwarlingo Store (there are some great gift ideas there), but you don’t have to purchase these specific items for Gwarlingo to benefit. If you click on a link for Brian Selznick’s book Wonderstruck, for instance, but then decide you have a pressing need for tube socks, Gwarlingo earns a small percentage of profits from your sock purchase! So if you’re going to buy from “the big guys,” you can do it through Gwarlingo and help “a little guy” in the process. How cool is that?

 

5. Donate to Gwarlingo. You can make a donation (large or small) by credit card via Pay Pal. Gwarlingo is not a nonprofit, so unfortunately, your donation isn’t tax deductible. But I do acknowledge every donation personally and use the money for essentials like web hosting, travel, and coffee. The more money I can raise, the less I have to rely on advertising, which is always a good thing.

 

6. Spread the word about Gwarlingo. It’s simple, free, and makes a big difference. There are a lot of ways to do this–“like” a post on Facebook, retweet an article, email a piece to a friend, or give a general plug on Facebook or Google.

 

Those are six simple ways you can help. I want to thank all of the writers, artists, poets, composers, filmmakers, art lovers, and performers who have visited the site regularly, shared their work, passed on links to friends, added money to the tip jar, written comments, followed Gwarlingo on Facebook and Twitter, become subscribers, and sent letters and emails of support. It’s been a wild adventure. I can’t wait to see what’s next.

Happy holidays!

 

By | 2016-11-11T21:53:47+00:00 11.22.11|Events, Welcome to Gwarlingo, Words|Comments Off on Thank You Gwarlingo Readers

About the Author:

I’ve spent almost 20 years helping thousands of successful artists of all disciplines and working to make the arts more accessible. (One friend likes to call me “the arts enabler.”) From 1999-2012 I worked at The MacDowell Colony, the nation’s oldest artist colony, but I've also done time at an arts magazine, a library, an art museum, and a raptor rehabilitation center. In May of 2012 I left MacDowell to pursue writing, speaking, curating, and creative projects full-time. In 2015 I was named a “Top 100 Artist, Innovator, Creative” by Origin magazine. I've appeared as an arts and culture commentator on New Hampshire Public Radio, and in 2017 I was the recipient of the Wampler Art Professorship at James Madison University. I am the founder of the Gwarlingo Salon series, which connects artists like DJ Spooky with rural audiences in the Monadnock region. In 2017 my collaborator Corwin Levi and I will publish our first book, Mirror Mirrored, which combines Grimms’ fairy tales with vintage illustration remixes and the work of contemporary artists like Kiki Smith, Carrie Mae Weems, and Amy Cutler. I grew up in Atlanta, Georgia, but have called New Hampshire home since 1999. My studio is located in the historic, mill village of Harrisville. I miss fried okra, the early southern spring, and restaurants that stay open past 9:00 p.m., but rural life agrees with me. In New Hampshire I can see the stars, go kayaking or snowshoeing, watch bald eagles fish in the lake, and focus on my creative work in silence. I no longer have to worry about traffic jams; deer, wild turkeys, and frost heaves are the primary road hazards here. Although I live in the country, I’m fortunate enough to be part of a vibrant arts community that extends beyond this small New England village. The quiet days are punctuated by regular travel and frequent visits to museums, theaters, readings, arts events, lectures, and open studios around the country. (You can read my full CV here.) Thanks for visiting Gwarlingo. I hope you'll be in touch.