Tag Archive - Vernacular Photography

The Art of Taking Risks : 13 Years, 3500 Artists, 7 Memorable Lessons

 

Image from the vernacular photography collection of Mark Glovsky

When I was a girl, I was fearless. I was always falling out of trees, off of speeding bicycles, into muddy creeks. Once, I was bitten by an angry goose. I was knocked on the head accidentally with a baseball. A rock. And a basketball. On one hot summer evening, the rope of the tire swing broke and sent me and my best friend, Michael, hurling through the yard like a hockey puck. And then there was the morning I tumbled into my neighbor’s cactus garden. (Who knew that cacti spines came in so many size and color variations? Ouch.)

But somewhere on the way to adulthood, the youthful spirit of risk took its leave. Like so many other “responsible” adults, I succumbed to the tyranny of the regular paycheck. Although I never lived extravagantly, I traded my time for money, and money for things. Once on that spinning wheel, it’s hard to get off. Often we forget that it’s even possible to stop, reevaluate, and make radical changes to our lives. It feels too scary. Too hard and overwhelming.

This past year has forced me to stop and reconsider my options. Ten months ago, when I launched Gwarlingo, I never could have anticipated how quickly the site would grow and how enthusiastically it would be received. Some incredible opportunities have come my way as a result–I’ve made new friends, had fabulous conversations with readers (in person and online), traveled, flexed my writing, tech, and photography skills, been on the radio, been hired for new, challenging projects, and more. And every minute has been pure pleasure for me. For the first time in ages, I have no idea what surprises the day will bring when I get out of bed, and that excites me.
 

Image from the vernacular photography collection of Mark Glovsky

After thirteen remarkable years working at The MacDowell Colony, I’ve decided it’s time to take the leap into full-time self employment. The decision wasn’t easy, but I know it’s the right thing to do. Letting go of my 9-5 job (with a regular paycheck and benefits) will allow me to expand Gwarlingo and tackle some new creative projects. Is it a risk? Of course. But it’s a risk that takes me back to those free-wheeling, tree-climbing days.

While I’ll miss all of my friends at the Colony terribly, I can still be part of a creative community through Gwarlingo and through some new collaborative projects that are on the horizon.

Over 3500 artists have passed through the doors of MacDowell during my tenure there. That’s a lot of creative energy in one place. In the past few days a number of people have asked me about the experience of working at the Colony for over a decade. Here are a few of the lessons I’ve learned in my thirteen years at the nation’s oldest artist retreat…

  • If you are open, receptive, and generous with others, the majority of people will be open, receptive, and generous in return.
  •  

  • Reserve judgment. Forget rumors. Listen and be patient. Most people will surprise you.
  •  

  • The most successful artists don’t have some mysterious gift that allows them to excel in their field. They simply work hard, work consistently, take creative risks, and don’t worry about what other people think. This is the real formula for creative success.
  •  

  • It is artists who have the best bird’s eye view of our culture today–they can tell us where we’ve been and where we’re going. They have the special ability to imagine alternatives to the present.
  •  

  • Artists can also view the world from a micro level. They can help us appreciate the unseen.
  •  

  • Solitude is an art. Unplugging and learning to be alone with yourself is essential if you want to do your best creative work. Technology is a tool. We should control it, not the other way around. Turn off your phone, Twitter, email, etc. Do it. The withdrawal symptoms will subside, eventually.
  •  

  • Being an artist is challenging in our society. It’s hard mentally, physically, and financially. It takes a village–a community of friends, fellow artists, and supporters who understand why you do the work you do and believe that it’s valuable. If you have the means, support artists and organizations, like MacDowell, who are helping artists realize their full potential. And if you’re an artist, don’t forget to leave your apartment or studio every now and then. Find a residency program, go to a reading, concert, or opening, or have fun with friends. Play and connection are just as important as hard work.

These are just a few of the lessons I’ll take with me when I go.

 

Image from the vernacular photography collection of Mark Glovsky

I have a lot of exciting ideas for growing Gwarlingo. I’m looking forward to organizing live events, providing more resources for artists on the site, and digging into much-discussed topics like money, fear, and technology and how these dovetail with the creative life.
 
And then there is my own creative work that’s been languishing–I have a novel to sell, stories to finish, and photographs to print.

Of course, I will also need to piece together the funding to make all of this happen. Traffic on the site continues to grow. Last month I had over 25,000 unique visitors to Gwarlingo. I expect this number to climb as I have more time to devote to the project. This opens up some new opportunities for sponsorships, which I’ll be exploring.

I’ll also be available for freelance and consulting projects. I have a large project with a nonprofit that will take part of the year, but I also look forward to working with artists who need help with grant writing, project proposals, social media, and artist statements. I have a few artists penciled into my calendar already.

 

Image from the vernacular photography collection of Mark Glovsky

My last day at The MacDowell Colony will be April 27th. Life is going to be very full until then, so please forgive me if I’m not able to post as regularly in the coming weeks. You will have more of my time and attention very soon.
 
Thanks to all of the staff, friends, and artists who have made my job at the Colony so memorable through the years. I also want to thank the friends, old and new, who have participated in the evolution of Gwarlingo.

We’re just getting started.
 

Image from the vernacular photography collection of Mark Glovsky


Don’t miss the next Gwarlingo feature. Click here to subscribe to Gwarlingo. You can also follow me on Twitter and Facebook.
 
Support Gwarlingo by making a donation of any size. Gwarlingo takes countless hours of labor each month, and your help keeps the site going!




A special thank you to Mark Glovsky for sharing these beautiful images from his found photography collection. Thanks Mark!

 
 

Mean Irene: A Photo Diary

Hurricane Irene-News-New York City

Mean Irene (Photo by Jijo Thomas via Flickr Commons)


 

The Fairway: Red Hook, Brooklyn (Photo by Shelley Bernstein via Flickr Commons)


 
Hurricane Irene

Dark and Stormy: Dry Dock Wine & Spirits, Brooklyn (Photo by Marie-Hélène Carleton)


 
Hurricane Irene

On Sunday Red Hook resident Betty Walsh and her dog Casper play fetch in flooded waters by the Fairway supermarket along the waterfront in Red Hook, Brooklyn (Photo © Micah Garen/Four Corners Media)


 
Hurricane Irene

Toppled (Photo by Tom Geibel via Flickr Commons)


 
Hurricane Irene preparation: LIRR employees fill an AquaDam with water to help prevent water from flowing into the LIRR's tunnels to Penn Station. Photo by Metropolitan Transportation Authority / Sam Zambuto.

On Saturday Long Island Railroad employees fill an AquaDam with water to to prevent water from flowing into the LIRR's tunnels to Penn Station. (Photo by Sam Zambuto for the MTA)


 
Hurricane Irene

Grand Central Station on Saturday (Photo by the MTA of the State of NY)


 

Apocalypse/Armageddon: East Village Cafe (Photo by Daniel Latorre via Flickr Commons)


 

Hurricane Yoga: Prospect Park, Brooklyn (Photo by Paolo C.)


 

Continue Reading…

George Bernard Shaw Exposed

George Bernard Shaw with Kim in 1922 (© Estate of George Bernard Shaw/ London School of Economics)

Gwarlingo’s “Photo of the Week” (a regular feature on the sidebar of the Gwarlingo homepage) is a captivating image of a sailboat on the Thames taken in 1906 by the Irish playwright George Bernard Shaw.

Not many people realize that the Nobel laureate was a passionate amateur photographer, as well as a prolific playwright, essayist, and corespondent. Shaw’s first surviving negatives date from 1898. When Shaw died at the age of 94, he left behind over 10,000 photographic prints and over 10,000 negatives in his home in Ayot St Lawrence.

In a time when few people in the art establishment gave photography the respect it deserved, Shaw was an early advocate of photography as a serious art form. He wrote many reviews and articles on the subject and enjoyed discussing the topic with photographers like Alvin Langdon Coburn.

Shaw's photograph of Auguste Rodin working in his studio (© Estate of George Bernard Shaw/ London School of Economics)

“If Velasquez were born today, he would be a photographer and not a painter,” Shaw observed. When Shaw was asked about his fascination with photography, he said, “I always wanted to draw and paint. I aspired to be a Michael Angelo, not a Shakespear [sic]. But I could not draw well enough to satisfy myself… So when dry plates and push buttons came into the market I bought a box camera and began pushing the button.”

Shaw’s photographs, particularly his self-portraits, reveal a more playful side than the stern-faced Shaw commonly seen in the official portraits used in newspapers and books. There are several nude self-portraits in Shaw’s collection, plus images of him at the beach, picnicking, and enjoying the company of friends. In one striking self-portrait, the playwright is lying naked on a sofa with a strategically placed book in his lap.

When a member of the press asked Shaw why he agreed to pose nude for “Le Penseur” (“The Thinker”) for Alvin Langdon Coburn, Shaw replied, “Though we have hundreds of photographs of [Charles] Dickens and [Richard] Wagner, we see nothing of them except the suits of clothes with their heads sticking out; and what is the use of that?”

 

Alvin Langdon Coburn's photograph of George Bernard Shaw posing as "The Thinker." When the photograph was exhibited in the London Salon in 1906, newspaper articles questioned: “The face, the beard, the neck, and the hands are undoubtedly the sole property of Mr. George Bernard Shaw, but we have no authentic knowledge of the rest of the Shavian frame, and the study of the anatomy shows more muscular development than some people would expect of a combination of high thinking and vegetarianism.” (Photo courtesy of The George Eastman House)

 

Crowds awaiting the unveiling of Rodin's sculpture "The Thinker" (Photo by George Bernard Shaw © Estate of George Bernard Shaw/ London School of Economics)

At Shaw’s death, his house and all of its contents were left to the National Trust. As a recent article in The Guardian reveals, “in 1979 the photographs, still uncatalogued and many on mouldering and potentially dangerous old film, were transferred to the archives of the London School of Economics for safe storage. In a marathon joint LSE and National Trust project all have been conserved, digitised – almost crashing the LSE website – and catalogued over the past two years.”

The “photographs document a prolific literary and political life offering glimpses into Shaw’s inner world,” the LSE library site explains. “Shaw’s images are almost endless in their subject coverage: from changes in fashions to portraits of the 1860s, from architecture to education; and their personas, from Vivien Leigh and Mrs Patrick Campbell to Sidney and Beatrice Webb. They also record his experiments with photography and…the collection provides a record of the development of photographic and processing techniques available from the 1890s.”

A photograph of Charlotte Shaw taken in 1898 by her husband during the couple's honeymoon. (© Estate of George Bernard Shaw/ London School of Economics)

Shaw’s collection also contains many images of his wife Charlotte Payne-Townshend, a fellow Fabian he married in 1898, and writers like H.G. Wells, J.M. Barrie, and Rilke. Shaw photographed his travels to South Africa, New Zealand, and Europe, as well.

Continue Reading…