Interviews

  • Amelia Meath and Nick Sanborn formed Sylvan Esso in 2013 (Photo via sylvanesso.com)

Sylvan Esso: “Collaboration Should Make you Aware of your Own Strengths and Weaknesses”

By |02.15.15|

Here in Harrisville, New Hampshire, our general store is the center of community life—where locals go for a cup of coffee, to buy eggs, or to learn if the next Nor’easter will leave six or eighteen inches of snow. Occasionally, […]

  • Angus at Bennington Museum-Tumblr

On Home Turf: A Creative Spaces Interview with Artist Angus McCullough

By |07.25.14|

 

Sometimes you have to leave home to discover surprises right in your own back yard. Such was the case with artist Angus McCullough, a Vermont-based artist I met this spring at the Virginia Center for the Creative Arts.

The town of […]

  • Marco Fusinato. Mass Black Implosion (Shaar, Iannis Xenakis). 2012. Ink on archival facsimile of score; framed. Part one of five parts. To make these drawings Fusinato chose a point on the page and then ruled a line from every note in the composition back to that point. This ongoing series, initiated in 2007, is founded—literally overlaid—on the scores of pioneering avant-garde composers. In the works on view here, Fusinato has drawn on a score penned by the Greek composer Iannis Xenakis (1922–2001), whose groundbreaking post–World War II works were deeply informed by mathematical and architectural logic, and, later, by computer programming. Xenakis worked for more than a decade in the studio of the architect Le Corbusier, and he often composed with an existing architectural site in mind. Here Fusinato has used Xenakis's score in the same way—as a pre-existing space. This drawing and others in the artist's Mass Black Implosion series have an immense gravitational density, which seems to suggest that all the notes should be played at once. Fusinato's intervention thus shifts the scores away from Xenakis's original intention, collapsing linear/durational performance into simultaneity. (Photo and caption via moma.org)

Sonic Boom: Ted Apel & a New Generation of Artists Explore the Art of Sound

By |04.02.14|

 
A New Prize in Sound Art
“I feel that the genre of sound art itself might be limiting sound art’s potential,” says artist Ted Apel. “Many sound art shows have the theme of ‘Sound Art.’ Imagine a show of visual art with […]

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  • Lisa Dahl, Aureolin, 20 x 30 inches, acrylic on color photograph, 2005. (Image Lisa Dahl courtesy the artist)

Writer Howard Mansfield on Clutter, Home Improvement & the Most Hated House on the Block

By |11.19.13|

 

 
“Everyone, rich or poor, deserves a shelter for the soul.” -Samuel Mockbee
 
The Click & Clack of Clutter

I am fascinated by how houses succeed or fail to shelter us, body and soul, ” says writer Howard Mansfield in his new book Dwelling […]

  • Joseph Bernard , Maze, 2008. Acrylic Paint on Wood Panel. 22 inches (56 cm) x 24 inches (61 cm)

Joseph Bernard on Super 8, Collage, and Combining the Common & Uncommon

By |07.09.13|

 
Artist Joseph Bernard in Conversation with Mary McNichols
(Note: This is a guest post by curator and art historian Mary McNichols)

Detroit-based artist, Joseph Bernard, once described a toy he had made as a child. Having filled an empty mayonnaise jar with […]

  • Julia Jacquette, Blond, Shoulder, 2011. Oil on wood panel. 10 x 7.5 inches (Photo by Jean Vong courtesy the artist)

Liquor, Perfume, Hair: Joan Wickersham Talks with Painter Julia Jacquette

By |10.09.12|

 

 

It’s hard not to be mesmerized by Julia Jacquette ‘s hypnotic paintings. Their luminous, rich surfaces are intoxicating, and yet there is so much more happening in Jacquette’s work than mere surface. Her images of wedding cakes, liquor, hair, vintage […]

  • I Am An Executioner-Click To Purchase

Rajesh Parameswaran’s Dazzling Tales of Captivity & Freedom : I Am An Executioner

By |06.28.12|

 

 

If like me, you find most summer reading lists too beachy and lacking in inspiration, Rajesh Parameswaran’s I Am an Executioner: Love Stories is the perfect antidote. (After all, our brains don’t go on holiday just because […]

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  • Love and Fatigue in America-Click to Purchase

What Makes a Healthy Life? Writer Roger King Explores Love & Fatigue in America

By |06.11.12|

 

What does it mean to live in between?” writes novelist Andrea Barrett of Roger King’s latest book. “Not only between geographical locations, but between health and illness, commitment and freedom, love and loss?”

It is the promise of the […]

  • A still from Peter Hutton's film "At Sea," currently on view at the Peabody Essex Museum in Salem, Massachusetts (Photo courtesy the Peabody Essex Museum)

Flimmaker Peter Hutton : It’s Not About the Pyrotechnics, It’s About Limitations

By |04.06.12|

 

The first time I saw a Peter Hutton film was at a screening at The MacDowell Colony several years ago when Peter was in residence. A small group of us gathered in the Colony library to watch Study of a […]

  • Robin MacArthur and Tyler Gibbons (Red Heart the Ticker) were profiled in Gwarlingo's "Creative Spaces" series.

Creative Spaces: A Legendary Songcatcher Inspires Two Musicians on a Vermont Farm

By |10.09.11|

Two weeks after Hurricane Irene I’m wandering the back-roads of Marlboro, Vermont, making my way to Robin MacArthur and Tyler Gibbons, also known as the music duo Red Heart the Ticker.

Route 9–the main thoroughfare between Brattleboro and Bennington–is closed because […]

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  • Anna Schueit and Finnegan (Photo courtesy the artist)

MacArthur Fellow Anna Schuleit & the Whole Sweep of Trying

By |05.31.11|

Welcome to the first installment of “Creative Spaces,” a regular Gwarlingo series that will focus on the creative habits and work spaces of visual artists, writers, musicians, filmmakers, and other talented individuals.

I’m excited to kick off the series with an […]

  • Ira Glass on the Creative Process: Ira Glass, the host of NPR’s This American Life, gives some useful advice about the art of story telling. Remember the method you learned in college–opening paragraph, thesis sentence, supporting material? Glass says to throw that tired technique out the window. Beginners often quit too soon, Glass says, because of the difficult gap between taste and talent. Watch the full video here.

Ira Glass Talks about the Creative Process

By |03.23.11|

 

 
IRA GLASS ON STORYTELLING
 
In the following clip, Ira Glass, the host of NPR’s This American Life, gives some useful advice to writers, journalists, and broadcasters about the art of telling a good story. Remember the method you learned in college–opening […]

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